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TOP 3 LYRICS
3 Fergie


16 Volt


Dead Weight

DEAD WEIGHT
I see your skin as scales
I see your hands as nails
I see your face as dirt
I see your way of hurt
I see your trust as tripe
I see you without light
I see you as you are
I see you with your scars
I see your tongue as snakes
I see your deadly grace
I see your teeth as fangs
I see your soul erased
I see you from within
I see your discipline
I see your acts of waste
I see you compensate for your
Dead weight
Dead weight
Dead weight
Dead weight
I see your eyes turn black
I see your lips spit plaque
I see your mouth eat love
I see your shroud above
I see your arms spread wings
I see your halo strings
I see your heart burn oil
I see your blood as soil
I see your friends as sheep
I see you as a creep
I see you mislead all
I see your hate install
I see you as a sloth
I see your grey exhaust
I see you reproduce
I see you compensate for your
Dead weight
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Features

Diana Krall:

Diana Krall: "The Very Best"


The word "chanteuse" may have been coined for Canada's Krall, who has emerged as one of the preeminent jazz voices of our era--mostly by her mastery of a bygone one. On "The Very Best," the singer slinks and sashays through more than a decade's worth of reinvigorated standards.
Live from Studio C: Josh Rouse

Live from Studio C: Josh Rouse


Seventies rock-inspired ladies' man Josh Rouse found a few minutes out of his busy tour schedule to stop by Studio C. He treated us to solo acoustic versions of "Hollywood Bass Player" and "Sweetie" from his latest album, Country Mouse City House.
James Blunt

James Blunt


While some guys try to impress girls with lines like "I didn't know angels flew so low," James Blunt simply sings "you're beautiful." That genius pick-up line scored him supermodel Petra Nemcova and turned him into a rock star overnight. His latest, "All the Lost Souls," continues with the romance.
Pink Floyd

Pink Floyd


Before Pink Floyd became '70s prog-rock heroes, they were Swingin' London's most interesting psychedelic pop group. Newly reissued with a CD of bonus tracks, the Syd Barrett-led "Piper," their debut, still stuns like it did then: as the most darkly grown-up children's lullabies anyone's ever heard.

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