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TOP 3 LYRICS
3 Fergie


13 Engines


Saviour (Perpetual Motion Machine)

(John Critchley)

You've got two eyes and pocket
Strange eyes of the visionary
No one knows where your name is
You only live in memory

When you walk down the street
They throw rose petals at your feet
I didn't know you were for real
Until I saw you today on TV
Live at 3
On CBC

They said, "The saviour has returned today."

They said that you were from heaven
They said that you rule
Well it must all be true
because you look so cool

They said you returned
To wash away the sins of the world
Well, holy fucking shit
Sweet Jesus, won't you touch me please
Set me free
Save me

The saviour has returned today

They said you were from heaven
They said that you ruled
Well it must be true
'Cause you look so cool
Your eyes are like pools
Come on sweet fool

The saviour has returned today
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Features

Diana Krall:

Diana Krall: "The Very Best"


The word "chanteuse" may have been coined for Canada's Krall, who has emerged as one of the preeminent jazz voices of our era--mostly by her mastery of a bygone one. On "The Very Best," the singer slinks and sashays through more than a decade's worth of reinvigorated standards.
Live from Studio C: Josh Rouse

Live from Studio C: Josh Rouse


Seventies rock-inspired ladies' man Josh Rouse found a few minutes out of his busy tour schedule to stop by Studio C. He treated us to solo acoustic versions of "Hollywood Bass Player" and "Sweetie" from his latest album, Country Mouse City House.
James Blunt

James Blunt


While some guys try to impress girls with lines like "I didn't know angels flew so low," James Blunt simply sings "you're beautiful." That genius pick-up line scored him supermodel Petra Nemcova and turned him into a rock star overnight. His latest, "All the Lost Souls," continues with the romance.
Pink Floyd

Pink Floyd


Before Pink Floyd became '70s prog-rock heroes, they were Swingin' London's most interesting psychedelic pop group. Newly reissued with a CD of bonus tracks, the Syd Barrett-led "Piper," their debut, still stuns like it did then: as the most darkly grown-up children's lullabies anyone's ever heard.

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